Tricky business getting the mouth to be in sync with the other forms. Usually theres a downturn of light from the cheeks on down, when the light is pointing from above, but in the space that I have to set up I had to put the light on a parellel plane with the model which makes for some real difficult and subtle rolls. Well, the hard part is over for the most part, although when you're painting on the form it's all just form anyway. One isn't necessarily more difficult, it's just different.
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