16"x20" oil on linen on gatorboard. The model insists on being called Ceasar, who am I to argue? It took me quite a bit of coaxing to get him into this pose. I sort of had in mind Michelangelo's surprised bathers. I managed to get the model's angry determined look at the first session (he really didn't like this pose) and it sort of conveys to me the moment when Ceasar sees Brutus coming towards him. I'd really like to finish the whole figure, so I'm working fairly quickly (for me). I might try and convince my Tuesday night paint group to continue this one past the summer. The one problem that I'm having is that the Classens linen on board just does not have the same characteristics as the stretched linen. I'm having a hard time getting the paint to cooperate. It's sliding around and picking up with subsequent brushstrokes. It's driving me crazy because for once I know exactly what I want and I'm having to fumble around. Lesson learned; if it ain't broke, don't fix it!
painting for kitchen tomatoes mushrooms and onions
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