At this point everything has been painted in using a finishing pass. I'll go back in and tweek a few things in a week or so. I switched to using slightly larger brushes and I'm trying to hold off on the details, putting in only what's absolutely necessary to create form and surface. I want there to be a little bit of painterliness to the work, more Sarah Lamb than Edouard Manet.
"200 Faces, No. 155"
7 hours ago