Heres the poster and a little bit done on the middle ground. The poster's going to help me a lot when I'm painting the foreground figure because of the compressed value range. I want to keep it kind of mysterious with most of the light on the still life and the background figure. A note to fellow artists ; if you want to torture yourself, paint lemons on a white plate. Most of the darks will be washed out by the reflected light making for some very tricky painting.
"200 Faces, No. 155"
7 hours ago