This is the beginning of a block-in for a portrait that I'm finally doing in my own studio. I'm about three hours in at this point. I've got everything setup exactly how I wanted it so I'm a happy camper. I have the B&H lighting setup that was recommended to me by Doug Flynt suspended on a hook about twenty feet in the air at the peek of my converted garage studio. I have it back far enough that there's enough light on my easel and that it's the same light that's on the model. That helps a lot with matching the color notes and values. I have my 24 year old daughter working to the right of me on her own drawing, which is looking pretty good (damn her!). Ever since I decided to hire this model my brain has been flooded with these Gerome like images. I made dozens of imaginary sketches but nothing was really clicking. Then I picked up this four foot wine bottle at an auction and something clicked. I made a turban for the model, set up my home made model stand, and we were off and running. I'm going to take my time to get the drawing as close to perfect as I can. I've been trying Scott Waddells technique of knocking back the drawing with an eraser to get a semi fresh start and it's been working pretty good. The only bad thing is I'm going to blow a fuse having to wait until next saturday to get back into it.
Berry & Brushes
1 day ago